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University of Southampton
Albéniz and the sentence principle as “the peak of organic-dramatic beauty”
Universität Salzburg
Do musical forms migrate? – Aspects of the popularization and distribution of the small rounded two/three-part form in Europe of the 18th century
Virginia Tech
Form Functional Displacement in Schubert’s Sonata Forms
Universidade de São Paulo, Brazil (Ph.D. in Musicology) Universidade Católica de Santos, Brazil (Faculty Member)
Form in Brazilian Choro: Symmetries and Deformations
Hebrew University of Jerusalem
Mendelssohn’s Lieder ohne Worte: Sonaticizing the Piano Miniature
University of Sydney
An unfortunate extinction: revisiting Hans von Bülow’s Nirwana
Universidad de Costa Rica
Analyzing Bruckner through Manuscript Sources: Form in the Second Symphony’s Adagio, 1872-1873
Appalachian State University
Implication of juxtaposition on the structural and expressive construction of two nocturnes by Frédéric Chopin
Edinburgh Napier University
Fighting polarity: Pitch-based analysis of Feldman’s late style in Bass Clarinet and Percussion and Three Voices
Durham University
Form and Chromaticism in Beethoven’s Seventh Symphony
Instituto Complutense de Ciencias Musicales
Ambiguous and unfixed structure(s): Form through articulation in the finale from Brahms’s Cello Sonata in E minor
School of Arts, English and LanguagesQueen’s University Belfast
The Devil in the Details: Form, Allusion and Transmutation
University of Cincinnati
The Sonata-Fugue Hybrid in Haydn’s Early Symphonies
Indiana University (IU) Jacobs School of Music
Lyric Forms as “Performed” Speech in Das Rheingold and Die Walküre
University of North Texas College of Music
Text Setting a Breakout: Scansion, Rhyme, and Vowel Repetition in 1960s Choruses
University of Georgia
Trauma, Anxiety, Belatedness, and Sonata Structure in Rochberg’s Second Symphony
Brandon University
Form in Post-Tonal Music: An Approach for Corpus Studies Using Debussy’s Piano Préludes
St Anne’s College, University of Oxford
The C0 strategy: From Haydn’s First to Beethoven’s Ninth
Conservatorium van Amsterdam / Utrecht University
Structure, Prolongation, and Form: A historical-critical (re-)appraisal
University of Leuven
Hexatonic Tension and Breakthrough Functionin Fin-de-Siècle Viennese Symphonic First-Movement Form